<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Sredzkistraße</title>
	<atom:link href="http://ventolin.org/feed/" rel="self" type="application/rss+xml" />
	<link>http://ventolin.org</link>
	<description></description>
	<lastBuildDate>Tue, 28 Feb 2012 16:52:05 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.3.2</generator>
		<item>
		<title>Due Process</title>
		<link>http://ventolin.org/2012/02/due-process/</link>
		<comments>http://ventolin.org/2012/02/due-process/#comments</comments>
		<pubDate>Tue, 28 Feb 2012 16:51:33 +0000</pubDate>
		<dc:creator>aengus</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://ventolin.org/?p=843</guid>
		<description><![CDATA[Another tune I&#8217;ve been searching for for years (this time since probably around 2000) &#8211; first heard it as the backing to Ronnie Creager&#8217;s part on the Blind Skateboards section of Rodney Mullen VS Daewon Song Round II: Happened to give this video a watch for a bit of a blast of nostalgia and thought [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://ventolin.org/wp-content/uploads/2012/02/cover.jpg"><img src="http://ventolin.org/wp-content/uploads/2012/02/cover.jpg" alt="" width="479" height="477" /></a></p>
<p>Another tune I&#8217;ve been searching for for years (this time since probably around 2000) &#8211; first heard it as the backing to Ronnie Creager&#8217;s part on the Blind Skateboards section of <a href="http://en.wikipedia.org/wiki/Rodney_Mullen_vs._Daewon_Song" target="_blank">Rodney Mullen VS Daewon Song Round II</a>:</p>
<p><iframe src="http://www.youtube.com/embed/bK5Ox73Lv_g" frameborder="0" width="500" height="350"></iframe></p>
<p>Happened to give this video a watch for a bit of a blast of nostalgia and thought to have another look for the tune. <a href="http://www.skatevideosite.com/skatevideos/rodney-mullen-vs-daewon-song-2/soundtrack" target="_blank">This site</a> has popped up in the last decade and gave me the full run-down of tunes:</p>
<ul>
<li><strong>Blind #1</strong> <strong>-</strong> instrumental mix by DJ Mino</li>
<li><strong>Blind #2 &#8211; Gideon Choi</strong> <strong>-</strong> Afromaxx Music Production &#8211; Two Steps Beyond</li>
<li><strong>Blind #3 &#8211; Josh Kasper</strong> <strong>-</strong> Visionaries &#8211; Say Where (instrumental)</li>
<li><strong>Blind #4 &#8211; Corey Sheppard</strong> <strong>-</strong> Diamond D &#8211; When It Pours It Rains (instrumental)</li>
<li><strong>Blind #5 &#8211; James Craig</strong> <strong>-</strong> Choclair &#8211; What It Takes (remix instrumental)</li>
<li><strong>Blind #6 &#8211; Ronnie Creager</strong> <strong>-</strong> Lone Catalysts &#8211; Due Process (instrumental)</li>
</ul>
<p>Incredibly happy to have finally tracked it down after all these years. Easily one of the best hip-hop productions I&#8217;ve ever heard. </p>
<p>Here&#8217;s the normal version:</p>
<p><iframe src="http://www.youtube.com/embed/kedNnmN23EA" frameborder="0" width="500" height="350"></iframe></p>
<p>And, most importantly, the instrumental:</p>
<p><a href="http://ventolin.org/wp-content/uploads/2012/02/05 - Due Process (Instrumental).mp3" target="_blank">Due Process Instrumental</a></p>
]]></content:encoded>
			<wfw:commentRss>http://ventolin.org/2012/02/due-process/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Albumart Replacer</title>
		<link>http://ventolin.org/2012/02/albumart-replacer/</link>
		<comments>http://ventolin.org/2012/02/albumart-replacer/#comments</comments>
		<pubDate>Sat, 04 Feb 2012 17:33:53 +0000</pubDate>
		<dc:creator>aengus</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Code]]></category>
		<category><![CDATA[Computers]]></category>
		<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://ventolin.org/?p=829</guid>
		<description><![CDATA[The Albumart Replacer is a little script I wrote to automatically find higher-resolution copies of album covers. For listening to music, I use foobar2000 and although the wonderful foo_discogs automatically adds album art to my music, sometimes the artwork on discogs.com isn&#8217;t the best. Enter Albumart Replacer. If I&#8217;m listening to music and I notice the [...]]]></description>
			<content:encoded><![CDATA[<p>The Albumart Replacer is a little script I wrote to automatically find higher-resolution copies of album covers. For listening to music, I use <a href="http://www.foobar2000.org" target="_blank">foobar2000</a> and although the wonderful <a href="http://www.foobar2000.org/components/view/foo_discogs" target="_blank">foo_discogs</a> automatically adds album art to my music, sometimes the artwork on discogs.com isn&#8217;t the best.</p>
<p>Enter Albumart Replacer. If I&#8217;m listening to music and I notice the album art isn&#8217;t up to scratch, e.g.:</p>
<p style="text-align: center;"><a href="http://ventolin.org/wp-content/uploads/2012/02/before.png"><img class="aligncenter  wp-image-831" title="before" src="http://ventolin.org/wp-content/uploads/2012/02/before.png" alt="" /></a></p>
<p>I simply run the script, it sends the image&#8217;s data to tineye.com, and if any higher-resolution copies of the same image are found, it&#8217;ll grab the best quality one:</p>
<p><a href="http://ventolin.org/wp-content/uploads/2012/02/after.png"><img class="aligncenter size-full wp-image-832" title="after" src="http://ventolin.org/wp-content/uploads/2012/02/after.png" alt="" width="515" height="394" /></a></p>
<p>This is all done without any user interaction. Using <a href="http://www.foobar2000.org/components/view/foo_run" target="_blank">foo_run</a>, it&#8217;s easy to set up a keybinding in foobar2000 so that it just takes one key press (simply pass the script a song&#8217;s %PATH% variable from foobar and it&#8217;ll do the rest.)</p>
<p><strong>Source code, downloads and further details are <a href="https://bitbucket.org/ventolin/albumart_replacer" target="_blank">available at the bitbucket repository</a>.</strong></p>
<p>Enjoy!</p>
]]></content:encoded>
			<wfw:commentRss>http://ventolin.org/2012/02/albumart-replacer/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Is this the worst piece of music ever made?</title>
		<link>http://ventolin.org/2012/01/is-this-the-worst-piece-of-music-ever-made/</link>
		<comments>http://ventolin.org/2012/01/is-this-the-worst-piece-of-music-ever-made/#comments</comments>
		<pubDate>Sun, 29 Jan 2012 11:56:51 +0000</pubDate>
		<dc:creator>aengus</dc:creator>
				<category><![CDATA[Bad Music™]]></category>
		<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://ventolin.org/?p=824</guid>
		<description><![CDATA[I&#8217;m fairly certain it is. I&#8217;ve nothing further to say about it. The Sea of Providence The Sea of Providence by Richard Youngs If Richard or Root Strata take exception to me hosting this music here, they need just contact me and it&#8217;ll be taken down.]]></description>
			<content:encoded><![CDATA[<p>I&#8217;m fairly certain it is. I&#8217;ve nothing further to say about it.</p>
<p><a href="http://ventolin.org/wp-content/uploads/2012/01/TheSeaOfProvidence.mp3">The Sea of Providence</a></p>
<p><em>The Sea of Providence</em> by <a href="http://en.wikipedia.org/wiki/Richard_Youngs" target="_blank">Richard Youngs</a></p>
<p>If Richard or Root Strata take exception to me hosting this music here, they need just contact me and it&#8217;ll be taken down.</p>
]]></content:encoded>
			<wfw:commentRss>http://ventolin.org/2012/01/is-this-the-worst-piece-of-music-ever-made/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
<enclosure url="http://ventolin.org/wp-content/uploads/2012/01/TheSeaOfProvidence.mp3" length="5772739" type="audio/mpeg" />
		</item>
		<item>
		<title>@grammer_man who the fuck is this nigga and why u comin at me like that #Hoeassnigga</title>
		<link>http://ventolin.org/2012/01/grammer_man-who-the-fuck-is-this-nigga-and-why-u-comin-at-me-like-that-hoeassnigga/</link>
		<comments>http://ventolin.org/2012/01/grammer_man-who-the-fuck-is-this-nigga-and-why-u-comin-at-me-like-that-hoeassnigga/#comments</comments>
		<pubDate>Mon, 09 Jan 2012 19:06:27 +0000</pubDate>
		<dc:creator>aengus</dc:creator>
				<category><![CDATA[Code]]></category>
		<category><![CDATA[Computers]]></category>
		<category><![CDATA[Funny]]></category>
		<category><![CDATA[Idiots]]></category>
		<category><![CDATA[Internet]]></category>
		<category><![CDATA[Oddities]]></category>

		<guid isPermaLink="false">http://ventolin.org/?p=761</guid>
		<description><![CDATA[Had a spare hour last Thursday and decided to write a little twitter bot. There he is above. His name is Grammer_Man and he corrects other twitter users&#8217; misspellings, using data scraped from these Wikipedia pages. Responses have been pouring in already, some agitated, some confused, but most positive &#8212; which was a pleasant surprise. [...]]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter" title="grammer_man" src="http://ventolin.org/wp-content/uploads/2012/01/grammer_man.png" alt="" width="267" height="265" /></p>
<p>Had a spare hour last Thursday and decided to write a little twitter bot. There he is above. His name is <a href="http://twitter.com/Grammer_Man" target="_blank">Grammer_Man</a> and he corrects other twitter users&#8217; misspellings, using data scraped from <a href="http://en.wikipedia.org/wiki/Wikipedia:Lists_of_common_misspellings" target="_blank">these Wikipedia pages</a>.</p>
<p>Responses have been pouring in already, <a href="https://twitter.com/#!/ExtendedClips/status/156084096068620289" target="_blank">some</a> <a href="https://twitter.com/#!/tje/status/156161642231627776" target="_blank">agitated</a>, <a href="https://twitter.com/#!/utsprod/status/156058379406680065" target="_blank">some</a> <a href="https://twitter.com/#!/1D_4_infinity/status/156000680514035712" target="_blank">confused</a>, <a href="https://twitter.com/#!/nepaliScouser/status/156002421116633089" target="_blank">but</a> <a href="https://twitter.com/#!/JStadt7/status/156041154385805312" target="_blank">most</a> <a href="https://twitter.com/#!/indiglodoe/status/155828901820628992" target="_blank">positive</a> &#8212; which was a pleasant surprise. In any event, the minimal amount of effort in coding has paid off many times over in entertainment. </p>
<p><b>You can see who&#8217;s responding at the moment by <a href="https://twitter.com/#!/search/realtime/%40grammer_man" target="_blank">searching for @grammer_man</a>, and also by checking <a href="https://twitter.com/#!/grammer_man/favorites" target="_blank">his list of favourites</a>.</b></p>
<p>Here is the (somewhat slapdash) code that powers our fearless spelling Nazi:</p>
<h3>grabber.py</h3>
<p>This module grabs the spelling data from Wikipedia.</p>
<p></p><pre class="crayon-plain-tag">#!/usr/bin/env python
# -*- coding: utf-8 -*-

import os
import pickle

import requests
from BeautifulSoup import BeautifulSoup

def grab(letter):
    '''
    Grabs spellings from wikipedia
    '''
    url = 'http://en.wikipedia.org/wiki/Wikipedia:Lists_of_common_misspellings/%s' % letter
    html = requests.get(url).content
    soup = BeautifulSoup(html)
    bullets = soup.findAll('li')
    retval = {}
    for bullet in bullets:
        if 'plainlinks' in repr(bullet):
            values = bullet.text.split('(')
            if len(values) == 2:
                retval[values[0]] = values[1][:-1] # shave off the ) at end
    return retval

def get_spellings():
    '''
    Returns a dictionary of {false: correct} spellings
    '''
    if not os.path.exists('words.pkl'):
        retval = {}
        for c in 'ABCDEFGHIJKLMNOPQRSTUVWXYZ':
            print 'Getting typos - %s' % c
            retval.update(grab(c))
        print 'Dumping...'
        f = open('words.pkl', 'w')
        pickle.dump(retval, f)
        f.close()
        return retval
    else:
        f = open('words.pkl', 'r')
        retval = pickle.load(f)
        f.close()
        return retval
    
if __name__ == '__main__':
    get_spellings()</pre><p></p>
<h3>bot.py</h3>
<p>The bot. Selects misspellings at random, searches for them, responds to them, while also taking breaks between tweets and longer breaks every few hours.</p>
<p></p><pre class="crayon-plain-tag">#!/usr/bin/env python
# -*- coding: utf-8 -*-

import os
import random
import time
import pickle

import twitter

from grabber import get_spellings

API = twitter.Api(consumer_key='XXX',
                  consumer_secret='XXX',
                  access_token_key='XXX',
                  access_token_secret='XXX')

MESSAGES = u'''
$USERNAME sooo you might wanna spell $CORRECT the right way next time!! Not your fault bro.
#
# All messages stored in here, one per line. 
# Edited out in order to save space in this blog post.
#
'''.split('\n')

def compose_message(twitter_post, mistake, correct):
    '''
    Choose a message from MESSAGES at random, substitute fields to personalise it and 
    check if it exceeds the twitter message limit. Try this 100 times before failing.
    '''
    retries = 0
    while retries &lt; 100:
        retries += 1
        message = MESSAGES[random.randint(0, len(MESSAGES) - 1)]
        message = message.replace('$USERNAME', '@%s' % twitter_post.user.screen_name)
        message = message.replace('$MISTAKE', '&quot;%s&quot;' % mistake).replace('$CORRECT', '&quot;%s&quot;' % correct)
        if message and len(message) &lt; 141:
            return message
    return None

def correct_spelling(twitter_post, mistake, correct):
    '''
    Correct someone's spelling in a twitter_post
    '''
    print u'Correcting @%s for using %s...' %(twitter_post.user.screen_name,
                                            mistake)
    message = compose_message(twitter_post, mistake, correct)
    if not message:
        print u'All messages were too long... Aborting...'
        return None
    else:
        API.PostUpdate(message, in_reply_to_status_id=twitter_post.id)
        return True

def search(word):
    '''
    Search twitter for uses of a word, return one if it's been used recently.
    Otherwise return None.
    
    TODO: Add time awareness.
    '''
    print 'Searching for uses of %s...' % word
    results = API.GetSearch(word)
    if results:
        for result in results:
            if not check_if_done(result.id) and not result.user.screen_name == 'grammer_man' and word in result.text:
                return result
    return None

def check_if_done(id):
    '''
    Checks if a tweet has already been responded to
    '''
    if os.path.exists('done.pkl'):
        f = open('done.pkl', 'r')
        done = pickle.load(f)
        f.close()
        if id in done:
            return True
    return False

def update_done(id):
    '''
    Updates a list of tweets that've been replied to
    '''
    if os.path.exists('done.pkl'):
        f = open('done.pkl', 'r')
        done = pickle.load(f)
        f.close()
    else:
        done = []

    done.append(id)

    f = open('done.pkl', 'w')
    pickle.dump(done, f)
    f.close()

def main():
    '''
    Main program flow
    '''
    words = get_spellings()
    counter = 0
    while True:
        word = random.choice(words.keys())
        post = search(word)
        if counter &gt; 100:
            rand_time = random.randint(120*60, 240*60)
            print 'Done %s tweets, sleeping for %s minutes' % (counter, rand_time/60)
            time.sleep(rand_time)
            counter = 0
        # TODO: PROPERLY PRUNE THE MISTAKES/CORRECTIONS FROM WIKIPEDIA AND REMOVE THIS:
        if not u',' in word + words[word] and not u';' in word + words[word]:
            if post:
                result = correct_spelling(post, word, words[word])
                if result:
                    counter += 1
                    print '#%s Done' % counter
                    update_done(post.id)
                    time.sleep(random.randint(300,500))


if __name__ == '__main__':
    main()</pre><p></p>
<p>Grammer_Man uses the following libraries:</p>
<ul>
<li><a href="http://code.google.com/p/python-twitter/" target="_blank">python-twitter</a> (<B>Be warned: no proxy support</b>)</li>
<li><a href="http://docs.python-requests.org/en/latest/index.html" target="_blank">requests</a></li>
<li><a href="http://www.crummy.com/software/BeautifulSoup/" target="_blank">BeautifulSoup</a></li>
</ul>
]]></content:encoded>
			<wfw:commentRss>http://ventolin.org/2012/01/grammer_man-who-the-fuck-is-this-nigga-and-why-u-comin-at-me-like-that-hoeassnigga/feed/</wfw:commentRss>
		<slash:comments>14</slash:comments>
		</item>
		<item>
		<title>The Chaos</title>
		<link>http://ventolin.org/2012/01/the-chaos/</link>
		<comments>http://ventolin.org/2012/01/the-chaos/#comments</comments>
		<pubDate>Fri, 06 Jan 2012 14:02:07 +0000</pubDate>
		<dc:creator>aengus</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Funny]]></category>
		<category><![CDATA[Linguistics]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Words]]></category>

		<guid isPermaLink="false">http://ventolin.org/?p=757</guid>
		<description><![CDATA[A poem by Gerard Nolst Trenité demonstrating the abundant irregularities of English spelling and pronunciation. More info here.  Dearest creature in creation Studying English pronunciation,    I will teach you in my verse    Sounds like corpse, corps, horse and worse. I will keep you, Susy, busy, Make your head with heat grow dizzy;    Tear in eye, your dress you&#8217;ll tear;    Queer, fair seer, hear my prayer. Pray, console your loving poet, Make my coat look new, dear, sewit!    Just compare heart, hear and heard,    Dies and diet, lord and word. Sword and sward, retain and Britain [...]]]></description>
			<content:encoded><![CDATA[<p>A poem by Gerard Nolst Trenité demonstrating the abundant irregularities of English spelling and pronunciation. <a href="http://ncf.idallen.com/english.html#introduction" target="_blank">More info here.</a> <span id="more-757"></span></p>
<blockquote><p>Dearest <em>creature</em> in <em>creation</em><br />
Studying English <em>pronunciation</em>,<br />
<tt>   </tt>I will teach you in my <em>verse</em><br />
<tt>   </tt>Sounds like <em>corpse</em>, <em>corps</em>, <em>horse</em> and <em>worse</em>.</p>
<p>I will keep you, <em>Susy</em>, <em>busy</em>,<br />
Make your <em>head</em> with <em>heat</em> grow dizzy;<br />
<tt>   </tt><em>Tear</em> in eye, your dress you&#8217;ll <em>tear</em>;<br />
<tt>   </tt><em>Queer</em>, fair <em>seer</em>, <em>hear</em> my <em>prayer</em>.</p>
<p><em>Pray</em>, console your loving <em>poet</em>,<br />
Make my coat look <em>new</em>, dear, <em>sew</em><em>it</em>!<br />
<tt>   </tt>Just compare <em>heart</em>, <em>hear</em> and <em>heard</em>,<br />
<tt>   </tt><em>Dies</em> and <em>diet</em>, <em>lord</em> and <em>word</em>.</p>
<p><em>Sword</em> and <em>sward</em>, <em>retain</em> and <em>Britain</em><br />
(Mind the latter how it&#8217;s <em>written</em>).<br />
<tt>   </tt><em>Made</em> has not the sound of <em>bade</em>,<br />
<tt>   </tt><em>Say</em>-<em>said</em>, <em>pay</em>-<em>paid</em>, <em>laid</em> but <em>plaid</em>.</p>
<p>Now I surely will not <em>plague you</em><br />
With such words as <em>vague</em> and <em>ague</em>,<br />
<tt>   </tt>But be careful how you <em>speak</em>,<br />
<tt>   </tt>Say: <em>gush, bush, steak, streak, break, bleak </em>,</p>
<p><em>Previous, precious, fuchsia, via</em><br />
<em>Recipe, pipe, studding-sail, choir;</em><br />
<tt>   </tt><em>Woven</em>, <em>oven</em>, <em>how</em> and <em>low</em>,<br />
<tt>   </tt><em>Script</em>, <em>receipt</em>, <em>shoe</em>, <em>poem</em>, <em>toe</em>.</p>
<p>Say, expecting fraud and <em>trickery</em>:<br />
<em>Daughter</em>, <em>laughter</em> and <em>Terpsichore</em>,<br />
<tt>   </tt><em>Branch, ranch, measles</em>, <em>topsails</em>, <em>aisles</em>,<br />
<tt>   </tt><em>Missiles</em>, <em>similes</em>, <em>reviles</em>.</p>
<p><em>Wholly</em>, <em>holly</em>, <em>signal</em>, <em>signing</em>,<br />
<em>Same</em>, <em>examining</em>, but <em>mining</em>,<br />
<tt>   </tt><em>Scholar</em>, <em>vicar</em>, and <em>cigar</em>,<br />
<tt>   </tt><em>Solar</em>, <em>mica</em>, <em>war</em> and <em>far</em>.</p>
<p>From &#8220;desire&#8221;: <em>desirable</em>-<em>admirable</em> from &#8220;admire&#8221;,<br />
<em>Lumber</em>, <em>plumber</em>, <em>bier</em>, but <em>brier</em>,<br />
<tt>   </tt><em>Topsham</em>, <em>brougham</em>, <em>renown</em>, but <em>known</em>,<br />
<tt>   </tt><em>Knowledge</em>, <em>done</em>, <em>lone</em>, <em>gone</em>, <em>none</em>, <em>tone</em>,</p>
<p><em>One</em>, <em>anemone</em>, <em>Balmoral</em>,<br />
<em>Kitchen</em>, <em>lichen</em>, <em>laundry</em>, <em>laurel</em>.<br />
<tt>   </tt><em>Gertrude</em>, <em>German</em>, <em>wind</em> and <em>wind</em>,<br />
<tt>   </tt><em>Beau, kind, kindred, queue</em>, <em>mankind</em>,</p>
<p><em>Tortoise</em>, <em>turquoise</em>, <em>chamois-leather</em>,<br />
<em>Reading, Reading</em>, <em>heathen</em>, <em>heather</em>.<br />
<tt>   </tt>This phonetic labyrinth<br />
<tt>   </tt>Gives <em>moss</em>, <em>gross</em>, <em>brook</em>, <em>brooch</em>, <em>ninth</em>, <em>plinth</em>.</p>
<p>Have you ever yet <em>endeavoured</em><br />
To pronounce <em>revered</em> and <em>severed</em>,<br />
<tt>   </tt><em>Demon, lemon, ghoul, foul, soul,</em><br />
<tt>   </tt><em>Peter, petrol </em>and<em> patrol</em>?</p>
<p><em>Billet</em> does not end like <em>ballet</em>;<br />
<em>Bouquet</em>, <em>wallet</em>, <em>mallet</em>, <em>chalet</em>.<br />
<tt>   </tt><em>Blood</em> and <em>flood</em> are not like <em>food</em>,<br />
<tt>   </tt>Nor is <em>mould</em> like <em>should</em> and <em>would</em>.</p>
<p><em>Banquet</em> is not nearly <em>parquet</em>,<br />
Which exactly rhymes with <em>khaki</em>.<br />
<tt>   </tt><em>Discount</em>, <em>viscount</em>, <em>load</em> and <em>broad</em>,<br />
<tt>   </tt><em>Toward</em>, to <em>forward</em>, to <em>reward</em>,</p>
<p><em>Ricocheted</em> and <em>crocheting</em>, <em>croquet</em>?<br />
Right! Your pronunciation&#8217;s OK.<br />
<tt>   </tt><em>Rounded</em>, <em>wounded</em>, <em>grieve</em> and <em>sieve</em>,<br />
<tt>   </tt><em>Friend</em> and <em>fiend</em>, <em>alive</em> and <em>live</em>.</p>
<p>Is your r correct in <em>higher</em>?<br />
Keats asserts it rhymes <em>Thalia</em>.<br />
<tt>   </tt><em>Hugh</em>, but <em>hug</em>, and <em>hood</em>, but <em>hoot</em>,<br />
<tt>   </tt><em>Buoyant</em>, <em>minute</em>, but <em>minute</em>.</p>
<p>Say <em>abscission</em> with <em>precision</em>,<br />
Now: <em>position</em> and <em>transition</em>;<br />
<tt>   </tt>Would it tally with my <em>rhyme</em><br />
<tt>   </tt>If I mentioned <em>paradigm</em>?</p>
<p><em>Twopence, threepence, tease</em> are <em>easy</em>,<br />
But<em> cease, crease, grease</em> and <em>greasy</em>?<br />
<tt>   </tt><em>Cornice, nice, valise, revise,</em><br />
<tt>   </tt><em>Rabies,</em> but <em>lullabies</em>.</p>
<p>Of such puzzling words as <em>nauseous</em>,<br />
Rhyming well with <em>cautious, tortious</em>,<br />
<tt>   </tt>You&#8217;ll <em>envelop</em> lists, I hope,<br />
<tt>   </tt>In a linen <em>envelope</em>.</p>
<p>Would you like some more? You&#8217;ll <em>have it</em>!<br />
<em>Affidavit, David, davit</em>.<br />
<tt>   </tt>To <em>abjure</em>, to <em>perjure</em>. <em>Sheik</em><br />
<tt>   </tt>Does not sound like <em>Czech</em> but <em>ache</em>.</p>
<p><em>Liberty</em>, <em>library</em>, <em>heave</em> and <em>heaven</em>,<br />
<em>Rachel</em>, <em>loch</em>, <em>moustache</em>, <em>eleven</em>.<br />
<tt>   </tt>We say <em>hallowed</em>, but <em>allowed</em>,<br />
<tt>   </tt><em>People</em>, <em>leopard</em>, <em>towed</em> but <em>vowed</em>.</p>
<p>Mark the difference, moreover,<br />
Between <em>mover</em>, <em>plover</em>, <em>Dover</em>.<br />
<tt>   </tt><em>Leeches</em>, <em>breeches</em>, <em>wise</em>, <em>precise</em>,<br />
<tt>   </tt><em>Chalice</em>, but <em>police</em> and <em>lice</em>,</p>
<p><em>Camel</em>, <em>constable</em>, <em>unstable</em>,<br />
<em>Principle</em>, <em>disciple</em>, <em>label</em>.<br />
<tt>   </tt><em>Petal</em>, <em>penal</em>, and <em>canal</em>,<br />
<tt>   </tt><em>Wait</em>, <em>surmise</em>, <em>plait</em>, <em>promise</em>, <em>pal</em>,</p>
<p><em>Suit</em>, <em>suite</em>, <em>ruin</em>. <em>Circuit</em>, <em>conduit</em><br />
Rhyme with &#8220;shirk it&#8221; and &#8220;beyond it&#8221;,<br />
<tt>   </tt>But it is not hard to tell<br />
<tt>   </tt>Why it&#8217;s <em>pall</em>, <em>mall</em>, but <em>Pall</em><em>Mall</em>.</p>
<p><em>Muscle</em>, <em>muscular</em>, <em>gaol</em>, <em>iron</em>,<br />
<em>Timber</em>, <em>climber</em>, <em>bullion</em>, <em>lion,</em><br />
<tt>   </tt><em>Worm</em> and <em>storm</em>, <em>chaise</em>, <em>chaos</em>, <em>chair</em>,<br />
<tt>   </tt><em>Senator</em>, <em>spectator</em>, <em>mayor</em>,</p>
<p><em>Ivy</em>, <em>privy</em>, <em>famous</em>; <em>clamour</em><br />
Has the a of <em>drachm</em> and <em>hammer</em>.<br />
<tt>   </tt><em>Pussy</em>, <em>hussy</em> and <em>possess</em>,<br />
<tt>   </tt><em>Desert</em>, but <em>desert</em>, <em>address</em>.</p>
<p><em>Golf</em>, <em>wolf</em>, <em>countenance</em>, <em>lieutenants</em><br />
Hoist in <em>lieu</em> of flags left<em> pennants</em>.<br />
<tt>   </tt><em>Courier, courtier, tomb</em>, <em>bomb</em>, <em>comb</em>,<br />
<tt>   </tt><em>Cow</em>, but <em>Cowper,</em><em>some</em> and <em>home</em>.</p>
<p>&#8220;<em>Solder, soldier</em>!<em> </em>Blood is <em>thicker</em>&#8220;,<br />
Quoth he, &#8220;than <em>liqueur</em> or <em>liquor</em>&#8220;,<br />
<tt>   </tt>Making, it is sad but <em>true</em>,<br />
<tt>   </tt>In bravado, much <em>ado</em>.</p>
<p><em>Stranger</em> does not rhyme with <em>anger</em>,<br />
Neither does <em>devour</em> with <em>clangour</em>.<br />
<tt>   </tt><em>Pilot, pivot, gaunt</em>, but <em>aunt</em>,<br />
<tt>   </tt><em>Font</em>, <em>front</em>, <em>wont</em>, <em>want</em>, <em>grand</em> and <em>grant</em>.</p>
<p><em>Arsenic, specific, scenic,</em><br />
<em>Relic, rhetoric, hygienic</em>.<br />
<tt>   </tt><em>Gooseberry, goose</em>, and <em>close</em>, but <em>close</em>,<br />
<tt>   </tt><em>Paradise, rise, rose</em>, and <em>dose</em>.</p>
<p>Say <em>inveigh, neigh</em>, but <em>inveigle</em>,<br />
Make the latter rhyme with <em>eagle</em>.<br />
<tt>   </tt><em>Mind</em>! <em>Meandering</em> but <em>mean</em>,<br />
<tt>   </tt><em>Valentine</em> and <em>magazine</em>.</p>
<p>And I bet you, dear, a <em>penny</em>,<br />
You say <em>mani</em>-(fold) like <em>many</em>,<br />
<tt>   </tt>Which is wrong. Say <em>rapier, pier,</em><br />
<tt>   </tt><em>Tier</em> (one who ties), but <em>tier</em>.</p>
<p><em>Arch, archangel</em>; pray, does <em>erring</em><br />
Rhyme with <em>herring</em> or with <em>stirring</em>?<br />
<tt>   </tt><em>Prison, bison, treasure trove,</em><br />
<tt>   </tt><em>Treason, hover, cover, cove,</em></p>
<p><em>Perseverance, severance</em>. <em>Ribald</em><br />
Rhymes (but <em>piebald</em> doesn&#8217;t) with <em>nibbled</em>.<br />
<tt>   </tt><em>Phaeton, paean, gnat, ghat, gnaw,</em><br />
<tt>   </tt><em>Lien, psychic, shone, bone, pshaw</em>.</p>
<p>Don&#8217;t be <em>down</em>, my <em>own</em>, but <em>rough it</em>,<br />
And distinguish <em>buffet</em>, <em>buffet</em>;<br />
<tt>   </tt><em>Brood, stood, roof, rook, school, wool, boon,</em><br />
<tt>   </tt>Worcester, Boleyn, to <em>impugn</em>.</p>
<p>Say in sounds correct and <em>sterling</em><br />
<em>Hearse, hear, hearken, year</em> and <em>yearling</em>.<br />
<tt>   </tt><em>Evil, devil, mezzotint,</em><br />
<tt>   </tt>Mind the z! (A gentle hint.)</p>
<p>Now you need not pay attention<br />
To such sounds as I don&#8217;t mention,<br />
<tt>   </tt>Sounds like <em>pores, pause, pours </em>and <em>paws</em>,<br />
<tt>   </tt>Rhyming with the pronoun <em>yours</em>;</p>
<p>Nor are proper names <em>included</em>,<br />
Though I often heard, as <em>you did</em>,<br />
<tt>   </tt>Funny rhymes to <em>unicorn</em>,<br />
<tt>   </tt>Yes, you know them, <em>Vaughan</em> and <em>Strachan</em>.</p>
<p>No, my maiden, coy and <em>comely</em>,<br />
I don&#8217;t want to speak of <em>Cholmondeley</em>.<br />
<tt>   </tt>No. Yet <em>Froude</em> compared with <em>proud</em><br />
<tt>   </tt>Is no better than <em>McLeod</em>.</p>
<p>But mind <em>trivial</em> and <em>vial</em>,<br />
<em>Tripod, menial, denial</em>,<br />
<tt>   </tt><em>Troll</em> and <em>trolley</em>, <em>realm</em> and <em>ream</em>,<br />
<tt>   </tt><em>Schedule, mischief, schism, </em>and <em>scheme</em>.</p>
<p><em>Argil, gill, Argyll, gill. Surely</em><br />
May be made to rhyme with <em>Raleigh</em>,<br />
<tt>   </tt>But you&#8217;re not supposed to say<br />
<tt>   </tt><em>Piquet</em> rhymes with <em>sobriquet</em>.</p>
<p>Had this <em>invalid invalid</em><br />
Worthless documents? How <em>pallid</em>,<br />
<tt>   </tt>How <em>uncouth</em> he, <em>couchant</em>, looked,<br />
<tt>   </tt>When for <em>Portsmouth</em> I had booked!</p>
<p><em>Zeus, Thebes, Thales, Aphrodite</em>,<br />
<em>Paramour, enamoured, flighty</em>,<br />
<tt>   </tt><em>Episodes, antipodes,</em><br />
<tt>   </tt><em>Acquiesce</em>, and <em>obsequies</em>.</p>
<p>Please don&#8217;t monkey with the <em>geyser</em>,<br />
Don&#8217;t peel &#8216;taters with my <em>razor</em>,<br />
<tt>   </tt>Rather say in accents pure:<br />
<tt>   </tt><em>Nature, stature </em>and <em>mature</em>.</p>
<p><em>Pious, impious, limb, climb, glumly,</em><br />
<em>Worsted, worsted, crumbly, dumbly,</em><br />
<tt>   </tt><em>Conquer, conquest, vase, phase, fan,</em><br />
<tt>   </tt><em>Wan, sedan</em> and <em>artisan</em>.</p>
<p>The <tt><strong>th</strong></tt> will surely <em>trouble you</em><br />
More than <tt><strong>r</strong></tt>, <tt><strong>ch</strong></tt> or <em><tt><strong>w</strong></tt></em>.<br />
<tt>   </tt>Say then these phonetic <em>gems</em>:<br />
<tt>   </tt><em>Thomas, thyme, Theresa, Thames.</em></p>
<p><em>Thompson, Chatham, Waltham, Streatham,</em><br />
There are more but I <em>forget &#8216;em</em>-<br />
<tt>   </tt>Wait! I&#8217;ve got it: <em>Anthony</em>,<br />
<tt>   </tt>Lighten your anxiety.</p>
<p>The archaic word <em>albeit</em><br />
Does not rhyme with <em>eight</em>-you <em>see it</em>;<br />
<tt>   </tt><em>With</em> and <em>forthwith</em>, one has voice,<br />
<tt>   </tt>One has not, you make your choice.</p>
<p><em>Shoes, goes, does</em> *. Now first say: <em>finger</em>;<br />
Then say: <em>singer, ginger, linger</em>.<br />
<tt>   </tt><em>Real</em>, <em>zeal</em>, <em>mauve, gauze</em> and <em>gauge</em>,<br />
<tt>   </tt><em>Marriage</em>, <em>foliage</em>, <em>mirage</em>, <em>age</em>,</p>
<p><em>Hero, heron, query, very</em>,<br />
<em>Parry, tarry fury, bury,</em><br />
<tt>   </tt><em>Dost</em>, <em>lost</em>, <em>post</em>, and <em>doth</em>, <em>cloth</em>, <em>loth</em>,<br />
<tt>   </tt><em>Job</em>, <em>Job</em>, <em>blossom</em>, <em>bosom</em>, <em>oath</em>.</p>
<p><em>Faugh, oppugnant</em>, keen <em>oppugners</em>,<br />
<em>Bowing</em>, <em>bowing</em>, banjo-<em>tuners</em><br />
<tt>   </tt><em>Holm</em> you know, but <em>noes, canoes</em>,<br />
<tt>   </tt><em>Puisne</em>, <em>truism</em>, <em>use</em>, to <em>use</em>?</p>
<p>Though the difference seems <em>little</em>,<br />
We say <em>actual</em>, but <em>victual</em>,<br />
<tt>   </tt><em>Seat</em>, <em>sweat</em>, <em>chaste</em>, <em>caste</em>, <em>Leigh</em>, <em>eight</em>, <em>height</em>,<br />
<tt>   </tt><em>Put</em>, <em>nut</em>, <em>granite</em>, and <em>unite</em>.</p>
<p><em>Reefer</em> does not rhyme with <em>deafer</em>,<br />
<em>Feoffer </em>does, and <em>zephyr</em>, <em>heifer</em>.<br />
<tt>   </tt><em>Dull</em>, <em>bull</em>, <em>Geoffrey</em>, <em>George</em>, <em>ate</em>, <em>late</em>,<br />
<tt>   </tt><em>Hint</em>, <em>pint</em>, <em>senate</em>, but <em>sedate</em>.</p>
<p><em>Gaelic</em>, <em>Arabic</em>, <em>pacific</em>,<br />
<em>Science</em>, <em>conscience</em>, <em>scientific</em>;<br />
<tt>   </tt><em>Tour</em>, but <em>our, dour, succour</em>, <em>four</em>,<br />
<tt>   </tt><em>Gas</em>, <em>alas</em>, and <em>Arkansas</em>.</p>
<p>Say <em>manoeuvre, yacht</em> and <em>vomit</em>,<br />
Next <em>omit</em>, which differs from it<br />
<tt>   </tt><em>Bona fide, alibi</em><br />
<tt>   </tt><em>Gyrate, dowry</em> and <em>awry</em>.</p>
<p><em>Sea</em>, <em>idea</em>, <em>guinea</em>, <em>area</em>,<br />
<em>Psalm</em>, <em>Maria</em>, but <em>malaria</em>.<br />
<tt>   </tt><em>Youth</em>, <em>south</em>, <em>southern</em>, <em>cleanse</em> and <em>clean</em>,<br />
<tt>   </tt><em>Doctrine</em>, <em>turpentine</em>, <em>marine</em>.</p>
<p>Compare <em>alien</em> with <em>Italian</em>,<br />
<em>Dandelion</em> with <em>battalion</em>,<br />
<tt>   </tt><em>Rally</em> with <em>ally</em>; <em>yea</em>, <em>ye</em>,<br />
<tt>   </tt><em>Eye</em>, <em>I</em>, <em>ay</em>, <em>aye</em>, <em>whey</em>, <em>key</em>, <em>quay</em>!</p>
<p>Say <em>aver</em>, but <em>ever</em>, <em>fever</em>,<br />
<em>Neither</em>, <em>leisure</em>, <em>skein</em>, <em>receiver</em>.<br />
<tt>   </tt>Never guess-it is not <em>safe</em>,<br />
<tt>   </tt>We say <em>calves</em>, <em>valves</em>, <em>half</em>, but <em>Ralf</em>.</p>
<p><em>Starry,</em><em>granary</em>, <em>canary</em>,<br />
<em>Crevice</em>, but <em>device</em>, and <em>eyrie</em>,<br />
<tt>   </tt><em>Face</em>, but <em>preface</em>, then <em>grimace</em>,<br />
<tt>   </tt><em>Phlegm</em>, <em>phlegmatic</em>, <em>ass</em>, <em>glass</em>, <em>bass</em>.</p>
<p><em>Bass</em>, <em>large</em>, <em>target</em>, <em>gin</em>, <em>give</em>, <em>verging</em>,<br />
<em>Ought</em>, <em>oust,</em><em>joust</em>, and <em>scour</em>, but <em>scourging</em>;<br />
<tt>   </tt><em>Ear</em>, but <em>earn</em>; and <em>ere</em> and <em>tear</em><br />
<tt>   </tt>Do not rhyme with <em>here</em> but <em>heir</em>.</p>
<p>Mind the o of <em>off</em> and <em>often</em><br />
Which may be pronounced as <em>orphan</em>,<br />
<tt>   </tt>With the sound of <em>saw</em> and <em>sauce</em>;<br />
<tt>   </tt>Also <em>soft, lost, cloth</em> and <em>cross</em>.</p>
<p><em>Pudding, puddle, putting</em>. <em>Putting</em>?<br />
Yes: at golf it rhymes with <em>shutting</em>.<br />
<tt>   </tt><em>Respite, spite, consent, resent.</em><br />
<tt>   </tt><em>Liable</em>, but <em>Parliament</em>.</p>
<p><em>Seven</em> is right, but so is <em>even</em>,<br />
<em>Hyphen</em>, <em>roughen</em>, <em>nephew</em>, <em>Stephen</em>,<br />
<tt>   </tt><em>Monkey</em>, <em>donkey</em>, <em>clerk</em> and <em>jerk</em>,<br />
<tt>   </tt><em>Asp</em>, <em>grasp</em>, <em>wasp</em>, <em>demesne</em>, <em>cork</em>, <em>work</em>.</p>
<p><tt><strong>A</strong></tt> of <em>valour, vapid vapour,</em><br />
<tt><strong>S</strong></tt> of <em>news</em> (compare <em>newspaper</em>),<br />
<tt>   </tt><tt><strong>G</strong></tt> of <em>gibbet, gibbon, gist,</em><br />
<tt>   </tt><tt><strong>I</strong></tt> of <em>antichrist</em> and <em>grist</em>,</p>
<p>Differ like <em>diverse</em> and <em>divers</em>,<br />
<em>Rivers, strivers, shivers, fivers</em>.<br />
<tt>   </tt><em>Once</em>, but <em>nonce, toll, doll, </em>but <em>roll</em>,<br />
<tt>   </tt><em>Polish, Polish, poll </em>and <em>poll</em>.</p>
<p>Pronunciation-think of <em>Psyche</em>!-<br />
Is a paling, stout and <em>spiky</em>.<br />
<tt>   </tt>Won&#8217;t it make you lose your <em>wits</em><br />
<tt>   </tt>Writing <em>groats</em> and saying &#8220;grits&#8221;?</p>
<p>It&#8217;s a dark <em>abyss</em> or <em>tunnel</em><br />
Strewn with stones like <em>rowlock</em>, <em>gunwale</em>,<br />
<tt>   </tt><em>Islington</em>, and <em>Isle</em> of <em>Wight</em>,<br />
<tt>   </tt><em>Housewife</em>, <em>verdict</em> and <em>indict</em>.</p>
<p>Don&#8217;t you think so, reader, <em>rather</em>,<br />
Saying <em>lather</em>, <em>bather</em>, <em>father</em>?<br />
<tt>   </tt>Finally, which rhymes with <em>enough</em>,<br />
<tt>   </tt><em>Though</em>, <em>through</em>, <em>bough</em>, <em>cough</em>, <em>hough</em>, <em>sough, tough</em>??</p>
<p><em>Hiccough</em> has the sound of <em>sup</em>&#8230;<br />
My advice is: GIVE IT UP!</p></blockquote>
]]></content:encoded>
			<wfw:commentRss>http://ventolin.org/2012/01/the-chaos/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Cowboys and Anthrax</title>
		<link>http://ventolin.org/2011/12/cowboys-and-anthrax/</link>
		<comments>http://ventolin.org/2011/12/cowboys-and-anthrax/#comments</comments>
		<pubDate>Mon, 12 Dec 2011 20:56:53 +0000</pubDate>
		<dc:creator>aengus</dc:creator>
				<category><![CDATA[Film]]></category>
		<category><![CDATA[Funny]]></category>
		<category><![CDATA[Politics]]></category>

		<guid isPermaLink="false">http://ventolin.org/?p=753</guid>
		<description><![CDATA[Great stuff here from the Bad Lip Reading Youtube channel. Check it out for plenty more. Thanks to Hugh for bringing this to my attention.]]></description>
			<content:encoded><![CDATA[<p>Great stuff here from the <a href="http://www.youtube.com/user/BadLipReading" target="_blank">Bad Lip Reading Youtube channel</a>. Check it out for plenty more.</p>
<p><iframe src="http://www.youtube.com/embed/uE5xZKszXMQ" frameborder="0" width="500" height="350"></iframe></p>
<p>Thanks to Hugh for bringing this to my attention.</p>
]]></content:encoded>
			<wfw:commentRss>http://ventolin.org/2011/12/cowboys-and-anthrax/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A Winged Victory For The Sullen Live</title>
		<link>http://ventolin.org/2011/11/a-winged-victory-for-the-sullen-live/</link>
		<comments>http://ventolin.org/2011/11/a-winged-victory-for-the-sullen-live/#comments</comments>
		<pubDate>Thu, 24 Nov 2011 16:42:58 +0000</pubDate>
		<dc:creator>aengus</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://ventolin.org/?p=739</guid>
		<description><![CDATA[From their Facebook page: for those of you who could not make to one of our US shows&#8230;our videographer friend Joshua Smelser filmed the entire Los Angles show. Enjoy! You can watch the entire concert in high-definition below. EDIT: Although the sound quality is pretty dreadful&#8230;]]></description>
			<content:encoded><![CDATA[<p>From their Facebook page:</p>
<blockquote><p>for those of you who could not make to one of our US shows&#8230;our videographer friend Joshua Smelser filmed the entire Los Angles show. Enjoy!</p></blockquote>
<p>You can watch the entire concert in high-definition below.</p>
<p><iframe src="http://www.youtube.com/embed/videoseries?list=PL906DACC12D535891&amp;hl=en_US&amp;hd=1" frameborder="0" width="500" height="350"></iframe></p>
<p>EDIT: Although the sound quality is pretty dreadful&#8230;</p>
]]></content:encoded>
			<wfw:commentRss>http://ventolin.org/2011/11/a-winged-victory-for-the-sullen-live/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Slow Walkers</title>
		<link>http://ventolin.org/2011/11/slow-walkers/</link>
		<comments>http://ventolin.org/2011/11/slow-walkers/#comments</comments>
		<pubDate>Tue, 22 Nov 2011 23:12:40 +0000</pubDate>
		<dc:creator>aengus</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://ventolin.org/?p=735</guid>
		<description><![CDATA[&#8220;Wake&#8221; from &#8220;Slow Walkers&#8221;, a Grouper / Lawrence English collaboration, to be released in 2012. The video is something else &#8212; &#8220;meditations for the zombie as cultural phenomena&#8221;. Thanks to Dennis for bringing this to my attention. He also makes great ambient music himself &#8212; if you like this kind of thing, you should check [...]]]></description>
			<content:encoded><![CDATA[<p><iframe src="http://player.vimeo.com/video/30846604?title=0&amp;byline=0&amp;portrait=0" frameborder="0" width="500" height="315"></iframe></p>
<p>&#8220;Wake&#8221; from &#8220;Slow Walkers&#8221;, a Grouper / Lawrence English collaboration, to be released in 2012. The video is something else &#8212; &#8220;meditations for the zombie as cultural phenomena&#8221;.</p>
<p>Thanks to Dennis for bringing this to my attention. He also makes great ambient music himself &#8212; if you like this kind of thing, you should <a href="http://3six.bandcamp.com/" target="_blank">check his music out</a>.</p>
]]></content:encoded>
			<wfw:commentRss>http://ventolin.org/2011/11/slow-walkers/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Threnody for the Victims of Hiroshima (Aphex Remix)</title>
		<link>http://ventolin.org/2011/11/threnody-for-the-victims-of-hiroshima-aphex-remix/</link>
		<comments>http://ventolin.org/2011/11/threnody-for-the-victims-of-hiroshima-aphex-remix/#comments</comments>
		<pubDate>Mon, 07 Nov 2011 17:29:23 +0000</pubDate>
		<dc:creator>aengus</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[War]]></category>

		<guid isPermaLink="false">http://ventolin.org/?p=727</guid>
		<description><![CDATA[Very unsettling. From its vimeo page: see original version, conducted by Krzysztof Penderecki himself, performed just before this performance, here = youtube.com/​watch?v=SFoTqF-gGxA&#38;feature=related see the other Aphex Twin edits for this show here = vimeo.com/​album/​1735255 see all other performances from the show here youtube.com/​user/​fixedmachine#grid/​user/​CFB3F7A0029A764C Live visuals by Weirdcore. gfx programming by weirdcore &#38; andrew benson]]></description>
			<content:encoded><![CDATA[<p>Very unsettling.</p>
<p><iframe src="http://player.vimeo.com/video/30043453?title=0&amp;byline=0&amp;portrait=0" frameborder="0" width="500" height="325"></iframe></p>
<p>From <a href="http://vimeo.com/30043453" target="_blank">its vimeo page</a>:</p>
<blockquote><p>see original version, conducted by Krzysztof Penderecki himself, performed just before this performance, here = <a href="http://www.youtube.com/watch?v=SFoTqF-gGxA&amp;feature=related" rel="nofollow" target="_blank">youtube.com/​watch?v=SFoTqF-gGxA&amp;feature=related</a></p>
<p>see the other Aphex Twin edits for this show here = <a href="http://vimeo.com/album/1735255">vimeo.com/​album/​1735255</a></p>
<p>see all other performances from the show here<br />
<a href="http://www.youtube.com/user/fixedmachine#grid/user/CFB3F7A0029A764C" rel="nofollow" target="_blank">youtube.com/​user/​fixedmachine#grid/​user/​CFB3F7A0029A764C</a></p>
<p>Live visuals by Weirdcore.<br />
gfx programming by weirdcore &amp; andrew benson</p></blockquote>
]]></content:encoded>
			<wfw:commentRss>http://ventolin.org/2011/11/threnody-for-the-victims-of-hiroshima-aphex-remix/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>There is a Policeman Inside All Our Heads. He must be Destroyed.</title>
		<link>http://ventolin.org/2011/11/there-is-a-policeman-inside-all-our-heads-he-must-be-destroyed/</link>
		<comments>http://ventolin.org/2011/11/there-is-a-policeman-inside-all-our-heads-he-must-be-destroyed/#comments</comments>
		<pubDate>Sun, 06 Nov 2011 17:08:17 +0000</pubDate>
		<dc:creator>aengus</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Politics]]></category>

		<guid isPermaLink="false">http://ventolin.org/?p=724</guid>
		<description><![CDATA[I spent most of today reading this blog post by Adam Curtis. His posts are always a bit of a battle to get through, since they&#8217;re peppered with video which sometimes makes the whole experience a bit laborious, but this one &#8212; despite some of the videos being as long as 45 minutes &#8212; is [...]]]></description>
			<content:encoded><![CDATA[<p>I spent most of today reading <a href="http://www.bbc.co.uk/blogs/adamcurtis/2011/10/dream_on.html" target="_blank">this blog post</a> by Adam Curtis. His posts are always a bit of a battle to get through, since they&#8217;re peppered with video which sometimes makes the whole experience a bit laborious, but this one &#8212; despite some of the videos being as long as 45 minutes &#8212; is just perfect. Each of the videos compliments the text exactly as it should, leaving you with the feeling that you&#8217;ve just watched an entire Curtis documentary series.</p>
<p>The blog post charts the decline of the revolutionary leftist student movements in Europe, England especially, focusing on the influences of <a href="http://en.wikipedia.org/wiki/Pauline_Boty" target="_blank">Pauline Boty</a> and Clive Goodwin, two prominent figures in the British Pop Art movement, and <a href="http://en.wikipedia.org/wiki/Herbert_Marcuse" target="_blank">Herbert Marcuse</a>, a political philosopher whose ideas had a large effect on the student movements. It all culminates in the absolutely fascinating story of <a href="http://en.wikipedia.org/wiki/Michael_X" target="_blank">Michael de Freitas</a> (&#8220;Michael X&#8221;) whose name I&#8217;d not heard before today. It is this story to which Curtis devotes 45 minutes of your time in the form of an old BBC documentary which he&#8217;s edited down a little.</p>
<p>I won&#8217;t spoil any of that story, instead leaving you to <a href="http://www.bbc.co.uk/blogs/adamcurtis/2011/10/dream_on.html" target="_blank">read and watch</a> for yourself.</p>
]]></content:encoded>
			<wfw:commentRss>http://ventolin.org/2011/11/there-is-a-policeman-inside-all-our-heads-he-must-be-destroyed/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
	</channel>
</rss>

